With Nascere Qui, Italian prog ensemble Plenilunio continue their thoughtful exploration of melodic progressive rock, offering a collection that feels both personal and quietly ambitious. The album draws inspiration from their hometown of Acqui Terme, and that sense of place is reflected in the music's warmth, introspection, and occasional bursts of grandeur. The album opens with Il Gatto E Le Lucciole, a gentle yet rhythmically engaging piece that sets the tone with layered keyboards and subtle guitar textures. Valter Camparo's piano work is particularly expressive here, and Roberto Maggiotto's vocals are delivered with a relaxed confidence that suits the song's reflective mood. The centerpiece of the album is undoubtedly C'Erano Una Volta (Acqui E Noi), a sprawling 14-minute suite that moves through multiple sections with ease. There are hints of Locanda Delle Fate and early Marillion in the way themes are introduced and revisited. The instrumental interplay between keyboards and guitars (Davide Pronzato and Michele Pronzato) is a highlight, and the rhythm section—Daniele Pietrasanta on bass and Antonio Pirrone on drums—handles the shifting dynamics with finesse. Ci Sentiamo offers a more concise structure, built around a memorable vocal melody and a shimmering synth and piano backdrop. It's one of the more accessible tracks on the album, and its placement after the epic suite provides a welcome contrast. E rimani Un fiore... is a heartfelt tribute to Alberto Gaviglio of Locanda Delle Fate, who passed away in 2021. The arrangement is restrained and elegant, allowing the emotional weight of the lyrics to come through. Maggiotto's vocal delivery is particularly moving here, and the track stands as one of the album's emotional high points. Lacrime Dall'Aldilà leans into darker harmonic territory, with minor-key piano motifs and a more dramatic vocal approach. The track builds slowly, culminating in a powerful instrumental section that showcases the band's ability to create tension and release without resorting to bombast. Ebbro Di Te and Signora Della Notte continue the album's exploration of romantic and nocturnal themes. The former features a lovely musical, while the latter features a slightly theatrical vocal delivery that recalls Bernardo Lanzetti-era PFM. Nascere Qui is a mature and rewarding album that deepens Plenilunio's musical identity. The band's strength lies in their ability to craft emotionally resonant music without excess, and this release is no exception. Fans of melodic Italian prog—especially those who appreciate the quieter side of the genre—will find much to enjoy here. **** David Carswell Where to buy? |
